Sterling Silver filigree pendants with semi-precious stones (labradorite, topaz, turquoise, chrysophase)

     

   

 

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pre-2018 (some items available)

 

     

       

   

 

I love to work in metal.  I am seduced by fire, by the tools, the malleability and transformational qualities of the materials.

 I use bone carvings in some of my pieces, creating the tiny moon faces and bas relief carvings that characterize this work.  Each is different: I collect expressions, sketching faces and capturing moods to use in new pieces. I am now introducing animal-human faces into some of my pieces that are inspired by Celtic transformation myths.  I’m trying to capture the surprise a critter- or person- would experience once the perhaps unintended transformation has begun.

 Pieces evolve from these carvings, from stories, photographs of memorable places or times and interesting stones. I have been experimenting with textures and patinas in combination with imagery to create narrative pieces that work like miniature paintings. I am also working on more three-dimensional pieces like my pods, and using fold-forming on a small scale. These pieces have organic but imaginary forms.

I want my pieces to have presence and scale, but to remain light and always wearable.

I am always learning and exploring of ideas, materials and fabrication techniques. As long as there are technical and creative challenges, I will hammer on.

see Barbara Mullally’s exhibition with potter Maureen Marcotte, May 17 – July 3, 2016